Oscar Watch Party of the 90th Academy Awards Hosted by Portland Film Festival

Oscar Watch Party of the 90th Academy Awards Hosted by Portland Film Festival

Portland, OR. The Portland Film Festival will host Portland’s longest running Oscar Watch Party on Sunday, March 4th starting at 4pm. The Portland watch party will be held at Yur’s Bar & Grill located at 717 NW 16th Ave. To celebrate the 90th Academy Awards, you can walk the red carpet, play awards bingo, network with the Portland film community and watch the awards live. Attendance is free and organizers say, “fun is guaranteed.” An RSVP not required but is appreciated and you can RSVP by clicking on the Portland Film Festival event Facebook page or Meet Up page.

Some Portland movie fans will watch with interest to see if I, Tonya actresses will win for their portrayals of the disgraced local ice-skater and her mother.

Margot Robbie, pictured at the Oscar Nominee Luncheon, is nominated for Best Actress in a Leading Role for her portrayal of Tonya Harding.

Allison Janney, pictured at the Oscar Nominee Luncheon with Meryl Streep, is nominated in the Best Actress in a Supporting Role category for her portrayal of Tonya’s mother, LaVona “Sandy” Golden.

The 90th Oscars will air at 5:00pm (PST) on ABC with host Jimmy Kimmel. Additionally, a year after one of the most infamous moments in Academy Awards history, when Warren Beatty and Faye Dunaway were given the wrong envelope and announced the wrong Best Picture, the duo will return to the Oscars to once again reveal this year’s Best Picture winner. The La La Land vs. Moonlight snafu was highlighted in one of this year’s Oscar promos.

To get you in the mood for the big show, here are more photos from the Oscar nominee’s luncheon on February 5th.

LAURA DERN AND OSCAR NOMINEE TIMOTHÉE CHALAMET
Oscars Nominees Lunch

OSCAR NOMINEE SALLY HAWKINS AND DANNY GLOVER
Oscars Nominees Lunch

OSCAR NOMINEES GUILLERMO DEL TORO AND WILLEM DAFOE
Oscars Nominees Lunch

OSCAR NOMINEE DEE REES
Oscars Nominees Lunch

OSCAR NOMINEE GRETA GERWIG
Oscars Nominees Lunch

OSCAR NOMINEE MARY J. BLIGE
Oscars Nominees Lunch

OSCAR NOMINEE LAURIE METCALF
Oscars Nominees Lunch

OSCAR NOMINEE JORDAN PEELE
Oscars Nominees Lunch

OSCAR NOMINEES EMILY V. GORDON AND KUMAIL NANJIANI
Oscars Nominees Lunch

OSCAR NOMINEE SAOIRSE RONAN
Oscars Nominees Lunch

The Academy Awards, also known as the Oscars, are a set of 24 awards for artistic and technical merit in the American film industry, given annually by the Academy of Motion Picture Arts and Sciences, to recognize excellence in cinematic achievements as assessed by the Academy’s voting membership.

Here’s a list of the nominees:

 

ACTOR IN A LEADING ROLE

NOMINEES

TIMOTHÉE CHALAMET

Call Me by Your Name

DANIEL DAY-LEWIS

Phantom Thread

DANIEL KALUUYA

Get Out

GARY OLDMAN

Darkest Hour

DENZEL WASHINGTON

Roman J. Israel, Esq.

ACTOR IN A SUPPORTING ROLE

NOMINEES

WILLEM DAFOE

The Florida Project

WOODY HARRELSON

Three Billboards outside Ebbing, Missouri

RICHARD JENKINS

The Shape of Water

CHRISTOPHER PLUMMER

All the Money in the World

SAM ROCKWELL

Three Billboards outside Ebbing, Missouri

ACTRESS IN A LEADING ROLE

NOMINEES

SALLY HAWKINS

The Shape of Water

FRANCES MCDORMAND

Three Billboards outside Ebbing, Missouri

MARGOT ROBBIE

I, Tonya

SAOIRSE RONAN

Lady Bird

MERYL STREEP

The Post

ACTRESS IN A SUPPORTING ROLE

NOMINEES

MARY J. BLIGE

Mudbound

ALLISON JANNEY

I, Tonya

LESLEY MANVILLE

Phantom Thread

LAURIE METCALF

Lady Bird

OCTAVIA SPENCER

The Shape of Water

ANIMATED FEATURE FILM

NOMINEES

THE BOSS BABY

Tom McGrath and Ramsey Naito

THE BREADWINNER

Nora Twomey and Anthony Leo

COCO

Lee Unkrich and Darla K. Anderson

FERDINAND

Carlos Saldanha and Lori Forte

LOVING VINCENT

Dorota Kobiela, Hugh Welchman and Ivan Mactaggart

CINEMATOGRAPHY

NOMINEES

BLADE RUNNER 2049

Roger A. Deakins

DARKEST HOUR

Bruno Delbonnel

DUNKIRK

Hoyte van Hoytema

MUDBOUND

Rachel Morrison

THE SHAPE OF WATER

Dan Laustsen

COSTUME DESIGN

NOMINEES

BEAUTY AND THE BEAST

Jacqueline Durran

DARKEST HOUR

Jacqueline Durran

PHANTOM THREAD

Mark Bridges

THE SHAPE OF WATER

Luis Sequeira

VICTORIA & ABDUL

Consolata Boyle

DIRECTING

NOMINEES

DUNKIRK

Christopher Nolan

GET OUT

Jordan Peele

LADY BIRD

Greta Gerwig

PHANTOM THREAD

Paul Thomas Anderson

THE SHAPE OF WATER

Guillermo del Toro

DOCUMENTARY (FEATURE)

NOMINEES

ABACUS: SMALL ENOUGH TO JAIL

Steve James, Mark Mitten and Julie Goldman

FACES PLACES

Agnès Varda, JR and Rosalie Varda

ICARUS

Bryan Fogel and Dan Cogan

LAST MEN IN ALEPPO

Feras Fayyad, Kareem Abeed and Søren Steen Jespersen

STRONG ISLAND

Yance Ford and Joslyn Barnes

DOCUMENTARY (SHORT SUBJECT)

NOMINEES

EDITH+EDDIE

Laura Checkoway and Thomas Lee Wright

HEAVEN IS A TRAFFIC JAM ON THE 405

Frank Stiefel

HEROIN(E)

Elaine McMillion Sheldon and Kerrin Sheldon

KNIFE SKILLS

Thomas Lennon

TRAFFIC STOP

Kate Davis and David Heilbroner

FILM EDITING

NOMINEES

BABY DRIVER

Paul Machliss and Jonathan Amos

DUNKIRK

Lee Smith

I, TONYA

Tatiana S. Riegel

THE SHAPE OF WATER

Sidney Wolinsky

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Jon Gregory

FOREIGN LANGUAGE FILM

NOMINEES

A FANTASTIC WOMAN

Chile

THE INSULT

Lebanon

LOVELESS

Russia

ON BODY AND SOUL

Hungary

THE SQUARE

Sweden

MAKEUP AND HAIRSTYLING

NOMINEES

DARKEST HOUR

Kazuhiro Tsuji, David Malinowski and Lucy Sibbick

VICTORIA & ABDUL

Daniel Phillips and Lou Sheppard

WONDER

Arjen Tuiten

MUSIC (ORIGINAL SCORE)

NOMINEES

DUNKIRK

Hans Zimmer

PHANTOM THREAD

Jonny Greenwood

THE SHAPE OF WATER

Alexandre Desplat

STAR WARS: THE LAST JEDI

John Williams

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Carter Burwell

MUSIC (ORIGINAL SONG)

NOMINEES

MIGHTY RIVER

from Mudbound; Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson

MYSTERY OF LOVE

from Call Me by Your Name; Music and Lyric by Sufjan Stevens

REMEMBER ME

from Coco; Music and Lyric by Kristen Anderson-Lopez and Robert Lopez

STAND UP FOR SOMETHING

from Marshall; Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren

THIS IS ME

from The Greatest Showman; Music and Lyric by Benj Pasek and Justin Paul

BEST PICTURE

NOMINEES

CALL ME BY YOUR NAME

Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, Producers

DARKEST HOUR

Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, Producers

DUNKIRK

Emma Thomas and Christopher Nolan, Producers

GET OUT

Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, Producers

LADY BIRD

Scott Rudin, Eli Bush and Evelyn O’Neill, Producers

PHANTOM THREAD

JoAnne Sellar, Paul Thomas Anderson, Megan Ellison and Daniel Lupi, Producers

THE POST

Amy Pascal, Steven Spielberg and Kristie Macosko Krieger, Producers

THE SHAPE OF WATER

Guillermo del Toro and J. Miles Dale, Producers

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

PRODUCTION DESIGN

NOMINEES

BEAUTY AND THE BEAST

Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

BLADE RUNNER 2049

Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola

DARKEST HOUR

Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

DUNKIRK

Production Design: Nathan Crowley; Set Decoration: Gary Fettis

THE SHAPE OF WATER

Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeffrey A. Melvin

SHORT FILM (ANIMATED)

NOMINEES

DEAR BASKETBALL

Glen Keane and Kobe Bryant

GARDEN PARTY

Victor Caire and Gabriel Grapperon

LOU

Dave Mullins and Dana Murray

NEGATIVE SPACE

Max Porter and Ru Kuwahata

REVOLTING RHYMES

Jakob Schuh and Jan Lachauer

SHORT FILM (LIVE ACTION)

NOMINEES

DEKALB ELEMENTARY

Reed Van Dyk

THE ELEVEN O’CLOCK

Derin Seale and Josh Lawson

MY NEPHEW EMMETT

Kevin Wilson, Jr.

THE SILENT CHILD

Chris Overton and Rachel Shenton

WATU WOTE/ALL OF US

Katja Benrath and Tobias Rosen

SOUND EDITING

NOMINEES

BABY DRIVER

Julian Slater

BLADE RUNNER 2049

Mark Mangini and Theo Green

DUNKIRK

Richard King and Alex Gibson

THE SHAPE OF WATER

Nathan Robitaille and Nelson Ferreira

STAR WARS: THE LAST JEDI

Matthew Wood and Ren Klyce

SOUND MIXING

NOMINEES

BABY DRIVER

Julian Slater, Tim Cavagin and Mary H. Ellis

BLADE RUNNER 2049

Ron Bartlett, Doug Hemphill and Mac Ruth

DUNKIRK

Gregg Landaker, Gary A. Rizzo and Mark Weingarten

THE SHAPE OF WATER

Christian Cooke, Brad Zoern and Glen Gauthier

STAR WARS: THE LAST JEDI

David Parker, Michael Semanick, Ren Klyce and Stuart Wilson

VISUAL EFFECTS

NOMINEES

BLADE RUNNER 2049

John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover

GUARDIANS OF THE GALAXY VOL. 2

Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick

KONG: SKULL ISLAND

Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus

STAR WARS: THE LAST JEDI

Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould

WAR FOR THE PLANET OF THE APES

Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

WRITING (ADAPTED SCREENPLAY)

NOMINEES

CALL ME BY YOUR NAME

Screenplay by James Ivory

THE DISASTER ARTIST

Screenplay by Scott Neustadter & Michael H. Weber

LOGAN

Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold

MOLLY’S GAME

Written for the screen by Aaron Sorkin

MUDBOUND

Screenplay by Virgil Williams and Dee Rees

WRITING (ORIGINAL SCREENPLAY)

NOMINEES

THE BIG SICK

Written by Emily V. Gordon & Kumail Nanjiani

GET OUT

Written by Jordan Peele

LADY BIRD

Written by Greta Gerwig

THE SHAPE OF WATER

Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Written by Martin McDonagh

 

 

All Classical Portland’s Lovefest Concert Hits All the Right Notes

All Classical Portland’s Lovefest Concert Hits All the Right Notes

Portland, OR.  Velvet-voiced radio personalities from All Classical Portland were out in force to support the inaugural Lovefest Concert at the Alberta Rose Theatre. On-air hosts at the benefit included John Pitman, Suzanne Nance, Warren Black, Ed Goldberg, Andrea Murray, Brandi Parisi, John Burk, Robert McBride, Christa Wessel, and Matt Rogers. They introduced the performances by musicians such as Monica Huggett & John Lenti, Angela Niederloh & Matthew Hayward and Monica Ohuchi & Kenji Bunch and more. The concert had over 300 attendees and raised $10,000, which included a corporate sponsorship from Oregon Hot Tub.

All Classical Portland’s Senior Announcer Robert McBride and President & CEO Suzanne Nance emceeing All Classical Portland’s Lovefest Concert at the Alberta Rose Theatre.

Angela Niederloh and Matthew Hayward (married) and singing “Cheek to Cheek” by Irving Berlin at All Classical Portland’s Lovefest Concert at Alberta Rose Theatre.

Violist and composer Kenji Bunch and pianist Monica Ohuchi (married) performing Prokofiev’s Romeo and Juliet at All Classical Portland’s Lovefest Concert at Alberta Rose Theatre.

World renowned violinist Monica Huggett and lutenist John Lenti perform La Folia at All Classical Portland’s Lovefest Concert at Alberta Rose Theatre.

Violinists and talented married couple, Sarah Kwak and Vali Phillips, perform a passionate tango at All Classical Portland’s Lovefest Concert at the Alberta Rose Theatre.

Violinists (and married couple) Sarah Kwak and Vali Phillips perform Piazzolla’s Libertango for a packed house at All Classical Portland’s Lovefest Concert at Alberta Rose Theatre.

All Classical Portland on-air hosts John Burk and Warren Black emceeing at All Classical Portland’s Lovefest Concert at Alberta Rose Theatre.

Accordionist Mike Danner performing Cole Porter’s I Love Paris at All Classical Portland’s Lovefest Concert at the Alberta Rose Theatre.

From All Classical Portland:

All Classical Portland is Portland, Oregon’s classical radio station. Established in 1983, All Classical Portland’s mission is to advance knowledge of and appreciation for classical music; to build and sustain culturally vibrant local and global communities around this art form; to reflect the spirit of the Pacific Northwest; and to foster integrity, quality, and innovation in all that we do.

The stations of All Classical Portland rebroadcast the KQAC signal from Portland.

Classical music for the Hood River area became a reality with the launch of KQHR 90.1FM in November 2001.

All Classical Portland added a new station in October 2008, KQDL 88.1 The Dalles. In May 2008, a long-time dream to have a classical station at the Oregon Coast became reality when KQOC 88.1 FM went on the air from Cape Foulweather. Our strongest signal in Oregon, this station reaches Tillamook and Cannon Beach to the north and Yachats to the south.

In 2011, KQHR’s frequency moved to 88.1 and a repeater station in the east Columbia Gorge was added at 96.3. KQHR’s power increased and KQDL went off the air as 88.1 and 96.3 now cover the gorge. 2014 saw the addition of two new KQAC repeater stations, KQMI 88.9 FM in Manzanita, Oregon, and 95.7 FM in Corvallis, Oregon.

As non-commercial public radio stations, KQAC, KQHR, KQOC, and KQMI rely on listener contributions, a marvelous, broad community of support, which provide over 93% of our budget. This amazing show of support includes funding from various regional foundations and local businesses and arts organizations that underwrite our programming through on-air sponsorships. Additionally, a small portion of our annual budget comes from the Corporation for Public Broadcasting (CPB).

For a full history of All Classical Portland, please see this booklet, which we created in August 2013 in celebration of our 30thAnniversary.

The history of Portland’s only 24-hour classical radio station (PDF).

Your contribution is held by All Classical Public Media, a non-profit 501(c)(3) organization dedicated to preserving classical music radio and radio broadcast education in Portland. Tax-ID # 93-1042868.

Oregon State Students Impress Alumni at Annual Luncheon

Oregon State Students Impress Alumni at Annual Luncheon

Portland, OR. Over 800 Oregon State University alumni and friends gathered on February 1st at the Oregon Convention Center for the annual State of the University Address. Debb and Robert Zagunis visited the OSU College of Business booth before lunch. Mr. Zagunis is a 1977 alumnus of the college. (Photo credit, Hannah O’Leary)

Lunch guests enjoy hands-on displays from several OSU programs and archival footage from OSU’s history as it celebrates its sesquicentennial. (An exhibit on the university’s history opened the following week at the Oregon Historical Society and runs through Sept. 9.)

Nancy Garner and Bob Moore of Bob’s Red Mill sit at one of nearly 50 sponsored tables at this year’s event.

Patrick Stone and Angela Snow, OSU liberal arts alumni and active volunteers.

In his OSU’s State of the University Address, President Ed Ray spoke about OSU’s impact as Oregon’s largest and only statewide university, noting in particular OSU’s expanding presence in Portland.

From Oregon State:

Oregon State is an international public research university that draws people from all 50 states and more than 100 countries. We go wherever the challenges are, push ourselves to the very edge of what’s known and keep going. We are determined to forge solutions. We are diverse and welcoming. We embrace our responsibility to Oregon and the world, building a future that’s smarter, healthier, more prosperous and more just. We see what could be and have worked relentlessly for 150 years to make it so. 

2 campuses, 11 colleges, 15 experiment stations, 35 Extension offices, 200+ academic programs — COUNTLESS IMPACTS.

41st Annual Portland International Film Festival Features Over 130 Films

41st Annual Portland International Film Festival Features Over 130 Films

Portland, OR. To kick off the Portland International Film Festival (PIFF), The Northwest Film Center and Regal Cinemas hosted an opening night screening of Armando Iannucci’s The Death of StalinKathleen Lewis, Emily Crumpacker and Northwest Film Center Director, Bill Foster were on hand for the February 15th screening. It was followed by an Opening Night party in the Portland Art Museum’s Schnitzer Sculpture Court. With an expected 40,000 attendees over its 14-day run, the festival is a major city-wide event.

Portland-based filmmakers Vu Pham and Daniela Repas.

Christian Henry and Kjerstin Johnson, crew from Dawn Jones Redstone’s film We Have Our Ways.

Northwest Film Center member Jessie Keller shows off her homemade PIFF 41 earrings.

A packed house at the Whitsell Auditorium eagerly awaits the opening night film The Death of Stalin.

This year’s festival co-hosts included: Elk Cove Winery, Adelsheim Vineyard, Pike Road Wines, Sierra Nevada Brewing, World Foods, CHEFSTABLE Catering and XRAY.fm.

Since 1977, the Portland International Film Festival (PIFF) has been the Northwest Film Center’s annual showcase of new world cinema. Through the exhibition of nearly 90 feature films and 40+ short films, PIFF audiences across the City of Portland travel the globe in theater seats through a celebration of the world’s filmmakers and cinephiles.

For a complete list of films here’s a link: Portland International Film Festival

Below are some examples of films to check out:

Science Fair Directed by Cristina CostantiniDarren Foster will be shown Monday, February 26th & Tuesday, Feb 27th


Fri, Feb 23
Sat, Feb 24

Gemini

Directed by Aaron Katz A heinous crime tests the complex relationship between a tenacious personal assistant and her Hollywood starlet boss. As the assistant 

Fri, Feb 23

Good Luck

Directed by Ben Russell Shot on Super16mm, Good Luck is a bifurcated portrait of two mining communities operating on opposite sides of a hostile 

Fri, Feb 23

Spell Reel

Directed by Filipa César

Amílcar Cabral, Guinea-Bissau’s liberation leader who was assassinated in 1973, left behind a major archive of film and audio work, 

 

Fri, Feb 23

The Charmer

Directed by Milad Alami

Milad Alami’s debut feature mixes psychological thriller and erotic drama in a complex tale of isolation, identity, and the desperate 

Fri, Feb 23

Eating Animals

Directed by Christopher Dillon Quinn

America’s desire for cheaper, more convenient food fueled the demise of traditional agriculture and the birth of the grim reality 

 

Fri, Feb 23

Five Fingers for Marseilles

Directed by Michael Matthews

A recent parolee returns to his hometown, vowing to turn his back on his criminal ways. Before long he finds 

 

Sat, Feb 24

Miss Kiet’s Children

Directed by Peter LatasterPetra Lataster-Czisch

Miss Kiet teaches children of asylum seekers in a Dutch elementary school. Coming from countries like Syria and Iraq, her 

 

Sat, Feb 24

Youth

Directed by Feng Xiaogang

Starting out in the 1970s, Feng Xiaogang’s film chronicles the joys and travails of a provincial military-arts troupe, People’s Liberation 

 

Sat, Feb 24

Her Love Boils Bathwater

Directed by Ryôta Nakano

After her husband disappears with another woman, Futaba, now a single mother, is forced to close the family bathhouse business. 

 

Sat, Feb 24

Shorts 6: Family Ties

Directed by Various

 

Sat, Feb 24

Napping Princess

Directed by Kenji Kamayama

In the year 2020, high school senior Kokone is stuck between reality and her own dream world full of fantastic 

 

Sat, Feb 24
Sun, Feb 25

Makala

Directed by Emmanuel Gras

Winner of the Critic’s Week Grand Prix at Cannes Film Festival, Makala is a riveting piece of documentary observation and 

 

Sat, Feb 24
Tue, Feb 27

Oh Lucy!

Directed by Atsuko Hirayanagi

Setsuko (Shinobu Terajima), an aging and depressed office drone in Tokyo, doesn’t have much to look forward to until her 

 

Sat, Feb 24
Sun, Feb 25

The Big Bad Fox & Other Tales

Directed by Benjamin RennerPatrick Imbert

Following up on the much-loved Ernest & Celestine, these warm, funny hand-drawn tales about life on an animal farm are 

 

Sat, Feb 24

Ava

Directed by Sadaf Foroughi

Ava’s life is dictated by rules. Coming of age in Iran, she faces pressure to conform to the expectations of 

 

Sat, Feb 24

Occidental

Directed by Neïl Beloufa

The stylish, side-splitting Occidental packs all of a broadly rendered Europe into a kitschy, cheap hotel while rioting on the 

 

Sat, Feb 24

On Body and Soul

Directed by Ildikó Enyedi

Unfolding in a slaughterhouse in Budapest, Ildikó Enyedi’s eccentric and beautiful love story strikingly mixes realism and dreams. The introverted 

 

Sat, Feb 24

Did You Wonder Who Fired the Gun?

Directed by Travis Wilkerson

“An audacious meditation on conscience and responsibility, on race in the American South, as well as a highly personal exhumation 

 

Sat, Feb 24

The Rape of Recy Taylor

Directed by Nancy Buirski

In September 1944, six young white men abducted and raped 24-year- old mother Recy Taylor in Abbeville, Alabama. Despite threats

 

Sat, Feb 24
Thu, Mar 1

Summer 1993

Directed by Carla Simón

Simón’s evocative autobiographical film won the Best First Feature prize at the Berlin Film Festival and is this year’s Spanish 

 

Sat, Feb 24

Hagazussa: A Heathen’s Curse

Directed by Lukas Feigelfeld

In a small Austrian mountain village in the 15th century, a single mother is ostracized by the other residents, who 

 

Sun, Feb 25

Tehran Taboo

Directed by Ali Soozandeh

In Tehran, a city laden with restrictions and religious laws of patriarchy, modesty, and family honor, transgressions can lead to 

 

Sun, Feb 25

Shorts 4: Made In Oregon 2: Wilderness

Directed by Various

 

Sun, Feb 25

Polina

Directed by Valérie MüllerAngelin Preljocaj

Bursting with dazzling dance sequences, this arresting tale of self-discovery charts a young woman’s journey to find her place in 

 

Sun, Feb 25

Lots of Kids, A Monkey and A Castle

Directed by Gustavo Salmerón

Julita Salmerón wanted three things in life: to have lots of children, to own a monkey, and to live in 

 

Sun, Feb 25

24 Frames

Directed by Abbas Kiarostami

Three years in the making and Kiarostami’s final film before his death in 2016, each segment in 24 Frames offers 

 

Sun, Feb 25
Thu, Mar 1

Tempestad

Directed by Tatiana Huezo

Tatiana Huezo’s poetic film is a meditation on the notion of “impunidad,” the unaccountability of those in power, whether the 

 

Sun, Feb 25
Thu, Mar 1

Lover for a Day

Directed by Philippe Garrel

Crashing at her philosophy professor father’s apartment in the wake of a painful break-up, 23-year-old Jeanne discovers that he has 

 

Sun, Feb 25
Thu, Mar 1

The Great Buddha+

Directed by Hsin-yao Huang

Two working-class friends discover the dark secret of their millionaire boss in this black comedy about class status and corruption. 

 

Sun, Feb 25
Mon, Feb 26

Mad World

Directed by Chun Wong

This year’s Hong Kong submission for the Best Foreign Language Film Oscar, Mad World thoughtfully attempts to de-stigmatize mental illness 

 

Sun, Feb 25

12 Days

Directed by Raymond Depardon

In France over 90,000 people a year are placed under psychiatric care without their consent. These people must appear before 

 

Sun, Feb 25

What Will People Say?

Directed by Iram Haq

Sixteen year-old Nisha lives a double life. At home with her family she is the perfect Pakistani daughter, but when 

 

Sun, Feb 25
Wed, Feb 28

The Day After

Directed by Hong Sang-soo

Once again plumbing affairs of the heart and the foibles of weak, confused men with his sly humor, Hong Sang-Soo’s 

 

Sun, Feb 25

The Third Murder

Directed by Hirozaku Kore-eda

This moving story of a man struggling to find the truth while questioning his own faith in the law is 

 

Sun, Feb 25
Wed, Feb 28

Vazante

Directed by Daniela Thomas

Upon returning to Brazil in 1821 from a trading expedition, Antonio discovers that his wife has died in labor. Confined 

 

Sun, Feb 25

Winter Brothers

Directed by Hylnur Pálmason

Punctuated with bursts of surrealism and bouts of dark humor, Pálmason’s compelling feature dives into the frozen world and striking 

 

Sun, Feb 25

A Gentle Creature

Directed by Sergey Loznitsa

Inspired by the Dostoevsky short story, A Gentle Creature follows a stoic Russian woman trying to get a care package 

Sun, Feb 25

Marlina the Murderer in Four Acts

Directed by Mouly Surya

The bad guys come to rape, pillage, and murder, but they are not prepared for the calm wrath of Marlina. 

 

Sun, Feb 25

The Endless

Directed by Justin BensonAaron Moorhead

After receiving a cryptic video in the mail, two brothers return to the Southern California cult they left a decade 

Mon, Feb 26
Tue, Feb 27

Science Fair

Directed by Cristina CostantiniDarren Foster

Every year, over 1,700 students from 75 countries compete in the annual International Science and Engineering Fair (ISEF), a highly 

Mon, Feb 26
Wed, Feb 28

For Ahkeem

Directed by Jeremy S. LevineLandon Van Soest

Daje Shelton, a 17-year- old girl from St. Louis, wants to do the right thing. But growing up in a 

Mon, Feb 26

Spoor

Directed by Agnieszka Holland

Drawing inspiration from local fairy tales, Spoor dissects political corruption and environmental activism in a small Polish town. Janina is 

Mon, Feb 26

White Sun

Directed by Deepak Rauniyar

This year’s Nepali submission for the Best Foreign Language Film Oscar sensitively explores the damage done to the fabric of 

Mon, Feb 26

Speak Up

Directed by Stephane De Freitas

Every year, hundreds of college students from the Paris suburb of Seine-Saint-Denis face off in Eloquentia, a contest to crown 

Mon, Feb 26

The Eternal Road

Directed by Antti-Jussi Annila

Based on Antti Tuuri’s bestselling novel, The Eternal Road tells the untold story of the many thousands of Communist Americans 

Mon, Feb 26

Shorts 7: Other Places/Other Times

Directed by Various

Tue, Feb 27

Birdboy: The Forgotten Children

Directed by Alberto VazquezPedro Rivero

Adapted from his graphic novel, Alberto Vázquez’s debut feature, co-directed with Pedro Rivero, tackles themes of climate change, ecological disaster, 

Tue, Feb 27

Ice Mother

Directed by Bohdan Sláma

Sláma’s charming, romantic drama centers on themes of familial conflict and the possibility of rebirth at any age. After her 

Tue, Feb 27

Shorts 8: Chaplin Classics

Directed by Charlie Chaplin

Charlie Chaplin’s singular blend of slapstick, pathos, and social satire made him one of the cinema’s great artists and his 

Tue, Feb 27

Claire’s Camera

Directed by Hong Sang-soo

One of three films by Hong Sang-soo in this year’s festival, Claire’s Camera was shot during the Cannes Film Festival 

Tue, Feb 27

El Mar La Mar

Directed by Joshua BonnettaJ. P. Sniadecki

The Sonoran desert, on the Mexico–US border, is one of the most brutal and hotly contested areasof land on the 

Wed, Feb 28

Lean on Pete

Directed by Andrew Haigh

Fifteen-year-old Charley Thompson (Charlie Plummer) wants some stability: a home, food on the table, and a high school he can 

Wed, Feb 28

Western

Directed by Valeska Grisebach

In this tense, slow-burning thriller, a group of German construction workers start a tough job at a remote site in 

 

Thu, Mar 1

Scaffolding

Directed by Matan Yair

Seventeen-year-old Asher always has been an impulsive troublemaker at school. Although his strict, Sephardic father sees his strapping son as 

Thu, Mar 1

The Nothing Factory

Directed by Pedro Pinho

Based on the true story of Lisbon workers taking over an elevator factory threatened with closure, Pinho’s fiction debut is 

Thu, Mar 1

Our Time Will Come

Directed by Ann Hui

Inspired by the exploits of the Hong Kong resistance during World War II, Our Time Will Come tells the story 

101 Seconds

Directed by Skye Fitzgerald

On December 11th, 2012, a shooter entered Clackamas Town Center Mall near Portland and opened fire with an STAG-15 assault-style 

6.9 On the Richter Scale

Directed by Nae Caranfil

When an earthquake hits Bucharest, Tony, an actor, and his wife are shaken out of their sleep, amplifying Tony’s anxiety 

A Ciambra

Directed by Jonas Carpignano

Pio, 14, lives in an impoverished Romani community in Calabria in southern Italy. Determined to live up to the outlaw 

A Season in France

Directed by Mahamat-Saleh Haroun

Focusing on the precarious plight of undocumented asylum seekers, Haroun’s soul-searching film portrays the daunting challenges of overcoming a vast 

A Taxi Driver

Directed by Hun Jang

A Taxi Driver begins as a comic, period road movie before taking a serious turn to reflect on a critical 

Angels Wear White

Directed by Vivian Qu

In a small seaside town, two schoolgirls are assaulted by a middle-aged man in a motel. The only witness is 

Bad Genius

Directed by Nattawut Poonpiriya

Playing on the Thai obsession with academic achievement and test taking, Bad Genius is a comedic heist thriller that plays 

Beauty and the Dogs

Directed by Kaouther Ben Hania

Unfolding in nine chapters over the course of one night, Ben Hania’s timely drama follows a young woman’s search for 

Big Fish and Begonia

Directed by Xuan LiangChun Zhan

This beautifully crafted animated adventure, inspired by Chinese myths, takes place in a hidden world ruled by celestial beings. One 

Bodied

Directed by Joseph Kahn

A UC Berkeley grad student whose thesis explores the use of racial slurs in rap battles finds himself drawn into 

Cocote

Directed by Nelson Carlo de Los Santos Arias

“Evangelical Christian Alberto works as a gardener on a wealthy estate in Santo Domingo. When his father is murdered, he 

Félicité

Directed by Alain Gomis

Winner of the Silver Bear Grand Jury Prize at the Berlin Film Festival, Gomis’s film portrays a life lived on 

Foxtrot

Directed by Samuel Maoz

Michael and Daphna experience gut-wrenching grief when army officials inform them of the death of their son. Unable to find 

Hochelaga, Land of Souls

Directed by François Girard

On a summer night a sinkhole opens during a game in a downtown Montreal stadium, revealing long-buried artifacts. Mohawk archeologist 

Housewife

Directed by Can Evrenol

A woman who experienced a tragic loss as a child comes under the spell of a mysterious and charismatic cult 

I Am Not a Witch

Directed by Rungano Nyoni

Following an incident in her Zambian village, nine-year-old Shula is denounced as a witch and exiled to a state-run witch 

Jeannette, The Childhood of Joan of Arc

Directed by Bruno Dumont

France, 1425. In the midst of the Hundred Years’ War, 8-year-old Jeannette looks after her sheep in the small village 

 

Le fort des fous

Directed by Narimane Mari

In a film that walks a thin line between fact and fiction, Mari’s disparately linked narratives grapple with the legacy 

 

Leaning into the Wind: Andy Goldsworthy

Directed by Thomas Riedelsheimer

British sculptor, photographer, and environmentalist Andy Goldsworthy, whose site-specific sculptures and land art redeploy nature’s resources in startling and harmonious 

 

Let the Corpses Tan

Directed by Hélène CattetBruno Forzani

A gang of ne’er-do-wells rob an armored truck, getting away with the gold bars. Hiding out, trouble ensues when unexpected 

 

Let the Sun Shine In

Directed by Claire Denis

Living alone in Paris, Isabelle (Juliette Binoche), a divorced artist in her 50s, hopes that romantic hope springs eternal. But 

 

Lu Over the Wall

Directed by Masaaki Yuasa

Winner of the top prize at this year’s Annecy Animation Film Festival, Lu Over the Wall is a visually ravishing 

 

Milla

Directed by Valérie Massadian

Milla (Séverine Jonckeere) and Léo (Luc Chessel), 17 years old and in love, set off to the north of France 

 

Newton

Directed by Amit Masurkar

As the world’s largest democracy prepares for a national election, idealistic civil service newcomer Newton Kumar must ensure free and 

 

On the Beach at Night Alone

Directed by Hong Sang-soo

“Hong Sang-soo’s movies have always invited autobiographical readings, and this is perhaps his most achingly personal film yet, a steel-nerved, 

 

Shorts 1: Animated Worlds

Directed by Various

 

Shorts 2: Made in Oregon 1: Confluences

Directed by Various

 

Shorts 3: Distant Tales

Directed by Various

 

Shorts 5: Ways of Seeing

Directed by Various

 

Soufra

Directed by Thomas A. Morgan

After spending her entire life in the Burj el-Barajneh refugee camp near Beirut, Mariam Shaar decided to change her life. 

 

Sweet Country

Directed by Warwick Thornton

Combining elements of classic period Westerns and courtroom drama, Sweet Country is set in the Australian outback of the late 

 

The China Hustle

Directed by Jed Rothstein

Executive produced by Alex Gibney and Mark Cuban, Rothstein’s investigative film explores the need for transparency in an increasingly deregulated 

 

The Death of Stalin

Directed by Armando Iannucci

The one-liners fly as fast as political fortunes fall in this uproarious, wickedly irreverent satire from Armando Iannucci. Moscow, 1953: 

 

The House By The Sea

Directed by Robert GuédiguianIn a little cove near Marseille, Angèle, Joseph, and Armand return to their elderly father’s picturesque villa. Angèle is an 

The Rider

Directed by Chloé Zhao

Zhao’s enthralling portrait of America’s cowboy culture provides an archetypal story of a man redefining his hopes and ambitions. Once 

 

Thoroughbreds

Directed by Cory Finley

“Two teenage girls reignite a childhood friendship to deliciously dark ends, in this witty contemporary noir. Lily and Amanda are 

 

Under the Tree

Directed by Hafsteinn Gunnar Sigurðsson

Equal parts family drama, absurdist black comedy, and unconventional thriller, Under the Tree follows two warring households locked in a 

 

Wajib

Directed by Annemarie Jacir

Shadi, an architect in Rome, returns to his paternal home for the first time in years to honor the Nazareth 

 

Won’t You Be My Neighbor?

Directed by Morgan Neville

“With his gentle voice and heartfelt words of wisdom, Fred Rogers served as a compassionate surrogate father for generations of 

 

Zama

Directed by Lucrecia Martel

“Martel ventures into the realm of historical fiction and makes the genre entirely her own in this adaptation of Antonio 

Record Donations for Oregon Cultural Trust Means More Funds for Local Nonprofits

Record Donations for Oregon Cultural Trust Means More Funds for Local Nonprofits

Salem, OR. A new mix of marketing strategies attracted 55.2 percent more new donors and 6.7 percent more total donations – a record $4.9 million – to the Oregon Cultural Trust in 2017. The funds will support fiscal year 2019 grants to cultural organizations across the state. Recent grants have helped fund projects like transforming a major gallery at Portland Children’s Museum into The Studio – a clay, maker and multi-purpose art space for families.

The FY2019 Cultural Development Grant Guidelines, with budget form, are now posted here. The online application will open March 1, 2018 with an application deadline of April 13, 2018. The FY19 Cultural Development grant cycle are for projects taking place August 1, 2018 – July 31, 2019. Grant seekers interested in applying for Cultural Trust grants are encouraged to attend the 2018 Conversation with Funders & Partners workshops.

Executive Director Brian Rogers explains how the Cultural Trust attracted more donors. “We changed it up a bit, investing more of our resources in grassroots marketing. The goal was to have as many one-on-one conversations with cultural donors as possible. These results validate that strategy. We are looking forward to investing the increased funding in cultural activities throughout Oregon.”

“People are the best communicators of how the cultural tax credit works,” said Cultural Trust Board Chair Chuck Sams. “Our teams attended countless cultural events to talk with patrons about using the tax credit to double the statewide impact of their cultural giving. It is gratifying that Oregonians answered the call to continue strengthening Oregon’s cultural community and overall quality of life.”

The Cultural Trust contracted with bell+funk of Eugene and Artslandia of Portland to help plan and implement its 2017 marketing campaign. Working with Trust staff, they launched a new Ambassador program, a comprehensive online toolkit, a Make-a-Match game to engage event patrons and a first-ever Cultural Trust phone bank. They also adjusted campaign creative to better tell grant impact stories and helped to strengthen promotional partnerships with cultural and media partners.

Cultural Trust board members actively participated, hosting Ambassador events and submitting letters to the editor to media outlets across the state.

The $4.9 million fundraising total – up from just shy of $4.6 million in 2016 – includes 9,767 donations and 1,642 new donors, up from 1,058 in 2016. It also includes $406,827 raised through the Willamette Week Give!Guide, a 3 percent increase over 2016.

More than half of the money raised will be distributed directly to Oregon’s cultural groups this summer; the remainder will grow the Cultural Trust permanent fund. Cultural Trust grants are distributed through five Statewide Cultural Partners – Oregon Arts Commission, Oregon Heritage, Oregon Historical Society, Oregon Humanities and the Oregon State Office of Historic Preservation – as well as to 45 county/tribal coalitions and directly to cultural nonprofits via Cultural Development Grants.

The more than 100 projects supported by Cultural Development Grants in FY2018 include:

the “Racing to Change: Oregon’s Civil Rights Years” interactive exhibit at Oregon Historical Society and community programming by the Oregon Black Pioneers in Salem;

  • Theater lighting and sound equipment upgrades for the Florence Events Center;
  • The renovation of the historic Baker Orpheum Theatre to become a community performing arts center in Baker City;
  • Exhibits and programs that highlight the LBGTQ community and Native youth as part of a Cultural Diversity Initiative by the High Desert Museum in Bend; and

View a full list of Cultural Trust grant projects and links to Cultural County Coalitions with lists of county projects they fund.

Again, here are the details about applying for the grants:

The FY2019 Cultural Development Grant Guidelines, with budget form, are now posted here.

The online application will open March 1, 2018 with an application deadline of April 13, 2018. The FY19 Cultural Development grant cycle are for projects taking place August 1, 2018 – July 31, 2019. Grant seekers interested in applying for Cultural Trust grants are encouraged to attend the 2018 Conversation with Funders & Partners workshops.

Grants are awarded in four categories and are intended to fund arts, heritage, history, preservation and humanities programs.

Cultural Development Grants are for project activities that:

  • Protect and stabilize Oregon’s cultural resources;
  • Expand public awareness of, access to and participation in quality cultural experiences in Oregon;
  • Ensure that Oregon cultural resources are strong and dynamic contributors to Oregon’s communities and quality of life; and
  • Build an understanding of the value and impact of culture to Oregonians.

The four grant categories are:

  • Access: Make culture broadly available to Oregonians;
  • Preservation: Invest in Oregon’s cultural heritage by recovering, preserving and sharing historic assets and achievements;
  • Creativity: Create and/or present cultural or scholarly work; Support the development of artists, cultural experts, or scholars who promote culture as a core part of vibrant communities; and
  • Capacity: Strengthen cultural organizations to increase stability, improve sustainability, or measure/share cultural impacts.

In considering funding requests, the Cultural Trust seeks proposals that will expand the public benefit of Oregon’s culture through:

  • Positive impact on, or improvement of, cultural resources and activities and the expansion of public and private support for culture;
  • Preservation of the past or investing in the future, by commissioning new work that continues Oregon’s strong artistic, literary and humanistic presence;
  • Enhancing cultural opportunity and understanding by creating or sustaining model programs that can be replicated elsewhere; and
  • By creating opportunity for every community to invest further in its culture, stimulating new ventures that could not be tried without Trust help.

The Trust’s two non-competitive grant programs fund the Trust’s five statewide Cultural Partners and 45 County and Tribal Cultural Coalitions.

Have questions? Contact Aili Schreiner at [email protected] or 503.986.0089. You may schedule a 30 minute grant application conversation before April 13, and may submit draft applications for feedback by March 31.

FY19 Cultural Development Grants

As part of the grant agreement (sent directly to recipients), FY19 CDV grant recipients must complete and submit the following to [email protected]:

FY18 Cultural Coalition Grants

FY18 Cultural Coalition Grants have been awarded!

Cultural Coalitions may now submit their FY18 Contact Form to [email protected]. Please include as attachments:

  • Updated Board Roster: Include names and contact information
  • Grant Guidelines & Application: Have you updated your grant guidelines or application since last year? If yes, please attach your new versions (PDF format)
  • Cultural Plan: Have you updated your Cultural Plan? If yes, please attach your updated plan (PDF format). For tribal coalitions, your Cultural Resource Department Plan can be submitted instead.

Questions? Please contact [email protected] or (503) 986-0082 or [email protected] or (503) 986-0089.

FY17 Cultural Participation (Coalition) Sub-Grant Forms

Please submit your completed form and send to: [email protected]. Questions? Call us at (503) 986-0082.

Portland Center Stage 2018-2019 Season Will Include ‘Color Purple’ & Return of Storm Large in ‘Crazy Enough’

Portland Center Stage 2018-2019 Season Will Include ‘Color Purple’ & Return of Storm Large in ‘Crazy Enough’

Portland, OR. Portland Center Stage at The Armory’s 2018-2019 season will feature 11 productions along with a special 10th anniversary return engagement of Storm Large in Crazy Enough, a show that had its world premiere at The Armory in 2009 and became one of the company’s biggest hits.

Chris Coleman at The Armory for an “Astoria” workshop held in July, 2016.

Artistic Director Chris Coleman, who has been at the helm of Portland Center Stage at The Armory for the past 17 years, announced the new season as he prepares to depart the company to become artistic director of Denver Center for the Performing Arts Theatre Company. “With this season announcement,” said Coleman, “I offer my gratitude for my time in Portland in the best way that I know how — by working with the fine team at The Armory to craft a new season that is so exciting it makes it difficult to leave. And somewhat to my chagrin, we’ve managed just that.”

“The new season has the largest variety of voices ever presented in one season in our 31 years as a company,” Coleman continued. “There are more women playwrights than ever before; playwrights from more facets of American culture than ever before; stories told in more unique ways than ever before. Within that, you will see the shared character that has defined our seasons always: compelling stories. From the opening musical based on the work of American master Alice Walker, to the closing comedy from a fresh new American voice, the stories will take you from the drawing rooms of Regency England to a writer’s room in Portland; from the banks of the Missouri River in 1804 to Ferguson, Missouri, in 2014; from the expanse of decades in the Deep South to the blink of a minute in a life in the big city. It will be a breathtaking season.”

Here’s all the information from Portland Center Stage about the season and tickets:

Season packages are on sale now! To purchase season tickets, call 503-445-3700 or visit www.pcs.org. The Create Your Own Package starts at $92.25 for three plays. The U.S. Bank Main Stage Series starts at $184.50. The Everything Series starts at $307.50. The eight-admission Flexpass is available for $450. The new and hugely popular option for those who are 35 years old and younger, The Armory Card, starts at $100 for five admissions. Groups of 10 or more can sign up for the priority seating list now and purchase tickets to the new season starting on July 2, 2018. Groups that book by August 31 receive 30% off regular ticket prices. Groups receive one free ticket for every 20 tickets purchased. To order group tickets call 503-445-3794 or visit www.pcs.org/groups. Find out more about the 2018-2019 season at www.pcs.org/2018-2019-season. Those who purchase 2018-2019 season tickets by March 12 will get access to a special private sale to purchase tickets for Storm Large in Crazy Enough.

THE COLOR PURPLE  – Based on the novel by Alice Walker

Book by Marsha Norman

Music and Lyrics by Brenda Russell, Allee Willis and Stephen Bray

Directed by Timothy Douglas

September 15 – October 28, 2018 | On the U.S. Bank Main Stage

Opening Night/Press Night: September 21, 2018

From Alice Walker’s Pulitzer Prize-winning bestseller comes a powerful musical with a fresh, joyous score of jazz, ragtime, gospel and blues. This stirring family chronicle follows the inspirational Celie from the early to mid-20th century in the American south, as she journeys from childhood to womanhood, through joy and despair, anguish and hope to discover the power of love and life. With a soul-rousing, Grammy-winning score, The Color Purple is an unforgettable and intensely moving American classic.

“A miracle on Broadway; a glory to behold!” – The New York Times

Tony Award, Best Revival of a Musical, 2016

Grammy Award, Best Musical Theater Album, 2017

 

A LIFE – By Adam Bock

Directed by Rose Riordan

September 29 – November 11, 2018 | In the Ellyn Bye Studio
Opening Night/Press Night: October 5, 2018

Nate Martin is hopelessly single. When his most recent breakup, another in a lifelong string of ill-fated matches, casts him into a funk, he turns to the only source of wisdom he trusts: the stars. Poring over astrological charts, he obsessively questions his past and his place in the cosmos. But in Adam Bock’s wickedly funny, insightful and disarming new play, the answer he receives, when it comes, is shockingly obvious — and totally unpredictable.

West Coast Premiere

Commissioned by Portland Center Stage at The Armory

Developed at JAW: A Playwrights Festival in 2014; debuted Off-Broadway in 2016

Exquisite in detail and throws a jaw-dropping curveball.”

– Time Out New York

 

A CHRISTMAS MEMORY – paired with – WINTER SONG Northwest Stories

A Christmas Memory by Truman Capote

Winter Song by Merideth Kaye Clark and Brandon Woolley

Directed by Brandon Woolley

November 24 – December 30, 2018| In the Ellyn Bye Studio

Opening Night/Press Night: November 30, 2018

A Christmas Memory is an autobiographical recollection of Truman Capote’s rural Alabama boyhood. This tiny gem of a holiday story offers an unforgettable portrait of an odd but enduring friendship between two innocent souls, “one young and one old” and their shared memories of beloved holiday rituals. To accompany this tale, the brilliant singer Merideth Kaye Clark (Fiddler on the Roof and The Last Five Years at The Armory, Wicked national tour) and director Brandon Woolley created Winter Song, an original presentation of favorite songs that celebrate winter and all it represents: love, loss, family, solitude, renewal and friendship.

“This show is like comfort food — warm, nourishing, and just exactly what you want on a cold winter’s night.” – Broadway World

 

THE SECOND CITY’S A CHRISTMAS CAROL: TWIST YOUR DICKENS

By Peter Gwinn and Bobby Mort

Directed by Ron West

November 27 – December 23, 2018 | On the U.S. Bank Main Stage

Opening Night/Press Night: November 30, 2018

A complete send-up of the holiday classic, this adult comedy is adorned with the improvisational genius of the legendary comedy troupe The Second City. Twist includes zany holiday sketches and uproarious improv based on audience participation — it’s never the same show twice! It has become a Portland favorite and returns for the holidays in 2018. As the show’s fans know, the comedy whizzes from The Second City update the show every year. So come back for your favorite moments and enjoy the new surprises in store.

“Amusing for the whole family.” – Portland Monthly

 

SENSE & SENSIBILITY – By Kate Hamill

Based on the novel by Jane Austen

Directed by Eric Tucker

January 12 – February 10, 2019 | On the U.S. Bank Main Stage
Opening Night/Press Night: January 18, 2019

This exuberant, innovative staging of Jane Austen’s classic satire follows the adventures (and misadventures) of the Dashwood sisters — sensible Elinor and hypersensitive Marianne — after their sudden loss of fortune. Bursting with humor, emotion and bold theatricality, Sense & Sensibility asks: When reputation is everything, how do you follow your heart? Director Eric Tucker and adaptor Kate Hamill of the acclaimed New York theater company Bedlam revive their production in Portland after celebrated runs in New York and Boston.

Jane Austen is alive and well and rolling on casters.”  – The Boston Globe

 

BUYER & CELLAR – By Jonathan Tolins

Directed by Brandon Woolley

January 19 – March 3, 2019 | In the Ellyn Bye Studio

Opening Night/Press Night: January 25, 2019

Buyer & Cellar is an outrageous comedy about the price of fame, the cost of things, and the oddest of odd jobs. Alex, a struggling actor in Los Angeles, finds himself working in a shopping mall — but this isn’t your regular shopping center. In his most challenging role yet, Alex plays the shop boy bargaining with Barbra Streisand in her own private basement mall. With riotously sharp wit, Alex awaits a visit from the ultimate customer, the “Funny Girl” herself. Nick Cearley (Seymour in Little Shop of Horrors) returns to The Armory as Alex.

Fun Fact! What happens in this play is fiction but Barbra Streisand’s private shopping mall — with its doll store, clothing boutique and sweet shop — actually exists.

“With all the comedy and all the wit in Mr. Tolins’s writing, Buyer & Cellar is also notable for its heart.” – The New York Times

 

Northwest Stories – TINY BEAUTIFUL THINGS – Based on the book by Cheryl Strayed

Adapted by Nia Vardalos

Co-conceived by Marshall Heyman, Thomas Kail and Nia Vardalos

Directed by Rose Riordan

February 23 – March 31, 2019 | On the U.S. Bank Main Stage
Opening Night/Press Night: March 1, 2019

Renowned Portland author Cheryl Strayed (Wild) had a secret life as the anonymous online advice columnist for “Dear Sugar.” Over the years, thousands of people turned to Sugar for words of wisdom, honesty and hope. At first unsure of herself, Sugar found a way to weave her own life experiences together with the deep yearning and heartrending problems of her readers. The beloved column ultimately became a celebration of the simple beauty and light at the heart of being human. Strayed captured this journey in her book Tiny Beautiful Things. Adapted for the stage by the Academy Award-nominated writer of My Big Fat Greek Wedding, Nia Vardalos, and a hit at the Public Theater in New York last season, Tiny Beautiful Things is a funny and touching exploration of emotion, vulnerability and human resilience.

“A heart-tugging, emotionally rewarding evening.” – The Huffington Post 

 

UNTIL THE FLOOD – By Dael Orlandersmith

Directed by Neel Keller

March 16 – April 21, 2019 | In the Ellyn Bye Studio
Opening Night/Press Night: March 22, 2019

In the aftermath of the riots in Ferguson, Missouri, sparked by the killing of Michael Brown, celebrated writer, performer and Pulitzer Prize-finalist Dael Orlandersmith (Forever) traveled to the region and interviewed people from all walks of life. From these conversations, she crafted a stunning piece that reflects the complexity of St. Louis and beyond. Orlandersmith’s play is a mosaic of voices that tells the region’s story without advancing any one viewpoint above others, and asks that we listen to our fellow citizens in our own efforts to better understand today’s America. Originally commissioned by the Repertory Theatre of St. Louis, Until the Flood premiered to acclaim in New York City in January of 2018.

“Portraying only eight people — nine if you include her own alter ego — she nevertheless brings the questions, the pain and even the unspeakable thoughts of hundreds, if not millions, to life. Until the Flood is an urgent moral inquest.” – The New York Times

 

Northwest Stories  – CROSSING MNISOSE – By Mary Kathryn Nagle

Directed by Molly Smith

April 13 – May 5, 2019 | On the U.S. Bank Main Stage
Opening Night/Press Night: April 19, 2019

Crossing Mnisose tells the story of one of America’s first feminists, Sacajawea. Today, her face sits on the dollar coin and there are more statues of her in the United States than any other woman. But very few know her story, or the violence she endured as she guided the U.S. Corps of Discovery up the Mnisose (or what Europeans named the “Missouri River”). In 2017, the contemporary successor to the Corps of Discovery, the U.S. Army Corps of Engineers, granted an easement to allow a pipeline to cross the very same river. Although 212 years separate these controversial crossings, both reveal the continued survival of Tribal Nations in the face of colonial conquest. By award-winning playwright Mary Kathryn Nagle (Sovereignty, Manahatta), Crossing Mnisose draws a line from a completely original view of Lewis and Clark’s historic encampment at Fort Mandan to the present day, as descendants of the Dakota and Lakota Nations of the Mnisose continue their fight to ensure that the Mnisose, and the lands that contain the burials of their ancestors, are preserved for future generations.

Northwest Stories World Premiere

Commissioned by Portland Center Stage at The Armory

THE BREATH OF LIFE – By David Hare

May 4 – June 16, 2019 | In the Ellyn Bye Studio
Opening Night/Press Night: May 10, 2019

Frances was the dutiful wife of Martin. Madeleine was his not-so-dutiful mistress of 25 years. When Martin moves to America with a younger woman, the two women he left behind meet face to face for the first time, to discuss their relationships with the elusive man who profoundly impacted them, but never defined them. Together they explore the past and learn to feel the breath of life again. The Armory production will feature Portland favorites Sharonlee McLean (The Receptionist, Vanya, Sonya, Masha and Spike, and 23 other productions at The Armory) as Frances and Gretchen Corbett (Nurse Ratched in One Flew Over the Cuckoo’s Nest) as Madeleine.

“The play is one of Hare’s finest … bitingly funny and often deeply affecting.” 

– The Daily Telegraph 

 

NATIVE GARDENS – By Karen Zacarías

May 18 – June 16, 2019 | On the U.S. Bank Main Stage
Opening Night/Press Night: May 24, 2019

You can’t choose your neighbors, but you can choose your side of the fence. In this brilliant new comedy, cultures and gardens clash, turning well-intentioned neighbors into feuding enemies. A rising attorney, Pablo, and doctoral candidate Tania, his very pregnant wife, have just purchased a home next to Frank and Virginia, a well-established D.C. couple with a prize-worthy English garden. But an impending barbeque for Pablo’s colleagues and a delicate disagreement over a long-standing fence line soon spirals into an all-out border dispute, exposing both couples’ notions of race, taste, class and privilege.

“Native Gardens is a true breath of comic fresh air.” – DC Theatre Scene

 

Northwest Stories  – CRAZY ENOUGH – Written and Performed by Storm Large

June 25 – June 30, 2019 | On the U.S. Bank Main Stage

Special 10th anniversary limited engagement run!
Crazy Enough was developed at JAW: A Playwrights Festival in 2008 and had its world premiere at The Armory in 2009. It became one of the biggest hits in Portland Center Stage at The Armory’s history — playing for a record sold-out 21-week run in the Ellyn Bye Studio — and audiences have been clamoring for its return ever since. This 10th anniversary special return engagement is playing for a limited eight-performance run. A private sale will start March 12 and be available exclusively for 2018-2019 season ticket holders.

“An empowering look at how one woman has managed, despite repeated heartaches and screw-ups, to stay aware of the preciousness of life.” – The Oregonian

“I need to thank you for one of the great nights in the theater that I have ever had. Storm Large is a force of nature, a truth teller, a comedian, a story-teller and one of the most brilliant voices I have ever heard.” – Daniel Stern, actor (Diner, Breaking Away)

 

NORTHWEST STORIES

Portland Center Stage at The Armory’s Northwest Stories series is a celebration of the essence of the region, offering plays that examine our culture and ignite dialogue about the events – and the places – that define the Northwest. From fresh looks at history to dynamic explorations of contemporary culture, Northwest Stories blends adventurous storytelling with local impact, all created with the immediacy and vibrancy that only live performance can bring. The 2017-2018 season brought two Northwest Stories world premieres to the stage: Astoria: Part Two and Winter Song. The 2018-2019 season’s Northwest Stories offerings include the world premiere of Mary Kathryn Nagle’s Crossing Mnisose, commissioned by Portland Center Stage at The Armory in 2016, as well as Cheryl Strayed’s Tiny Beautiful Things, the return of Winter Song, and the special engagement of Storm Large in Crazy Enough.

PORTLAND CENTER STAGE AT THE ARMORY

Portland Center Stage at The Armory is the largest theater company in Portland and among the top 20 regional theaters in the country. Established in 1988 as a branch of the Oregon Shakespeare Festival, the company became independent in 1994 and has been under the leadership of Artistic Director Chris Coleman since 2000. An estimated 150,000 visitors attend The Armory annually to enjoy a mix of classical, contemporary and world premiere productions, along with a variety of high quality education and community programs. Eleven productions are offered each season, in addition to roughly 400 community events created — in partnership with 170+ local organizations and individuals — to serve the diverse populations in the city. As part of its dedication to new play development, the company has produced 26 world premieres and presents an annual new works festival, JAW: A Playwrights Festival. Home to two theaters, The Armory was the first building on the National Register of Historic Places, and the first performing arts venue, to achieve a LEED Platinum rating.

SEASON SUPPORTERS

The current season is funded in part by Season Superstars Tim and Mary Boyle and Lead Corporate Champion Umpqua Bank. Further support comes from the following Season Sponsors: Regional Arts and Culture Council; The Wallace Foundation; Oregon Arts Commission, a state agency funded by the state of Oregon; and the National Endowment for the Arts. Mark Spencer Hotel is the official hotel partner for the company. Portland Center Stage at The Armory was selected as a participant of the Wallace Foundation’s Building Audiences for Sustainability Initiative, a four-year effort with a nationwide cohort of 26 performing arts organizations.

Web: www.pcs.org

Join us for our 30th Anniversary Season at The Armory.

Kodachrome in the Ellyn Bye Studio. Love appears in unlikely places in Adam Szymkowicz’s new play, directed by Rose Riordan. February 3 – March 18.

The Magic Play on the U.S. Bank Main Stage. World class magic and a deeply human story of loss and love come together to create an astonishing theatrical experience. March 3 – April 1.

Explore our 2018 – 2019 season.

BIG Night for Big Brothers Big Sisters Breaks Fundraising Record

BIG Night for Big Brothers Big Sisters Breaks Fundraising Record

Portland, OR. Big Brothers Big Sisters Columbia Northwest held its fourth annual Big Hero Gala at Leftbank Annex which featured a live auction with auctioneer Johnna Wells, Timber Joey Webber and Emcee Cathey Armillas. The gala supports the work of Big Brothers Big Sisters to match kids facing adversity in our community with a caring adult mentor. The January 27th benefit raised over $302,000 – an all-time high for the agency – through live and silent auctions, paddle raises and sponsorship.

Kris Wigger and Mimi Lettunich, Big Brothers Big Sisters Board Chair

Big Brothers Big Sisters CFO and Miss Oregon Harley Emery

Big Brothers Big Sisters CEO Beach Pace and Ken Beattie of Cale America

Kukatonon African Dance Troupe

Former Little Brother Gerardo Morales and his Former Big Brother Adam Hulme deliver a keynote speech

Auctioneer Johnna Wells

Event guests were treated to cocktails and an art exhibit following two current pairings titled, “My Match,” a performance by African Dance troupe Kukatonon, dinner, dessert and an after party. The live portion of the event unveiled a recruitment video for the agency’s new Bigs in Blue program, which matches youth with a mentor in law enforcement. Portland Police Chief Danielle Outlaw was in attendance and pledged to become a Big Sister through the program.

Here’s a video about the program:

Big Brothers Big Sisters Columbia Northwest serves just shy of 500 kids in the Portland Metro area and Vancouver. The estimated cost of connecting a child with a mentor and offering match support for one year is $1,500. The agency serves youth in our community through its community, site based and school based programs.

Lan Su Chinese Garden Celebrates Year of the Dog

Lan Su Chinese Garden Celebrates Year of the Dog

Portland, OR. In celebration of the Year of the Dog, Lan Su Chinese Garden is partnering with local non-profit animal rescue organizations to bring you the Year of the Dog Fair on February 17th & 24th. If you visit the garden, LexiDog Boutique & Social Club will be offering free onsite pet sitting. In accordance with the Chinese lunar calendar, you are a “Dog” if you were born in 1934, 1946, 1958, 1970, 1982, 1994, 2006, or 2018.

On the first day of Chinese New Year, families & businesses roll oranges and coins over the threshold of their front door, ensuring that prosperity will flow all year long!

You can learn more about Chinese New Year during Lan Su’s two-week celebration featuring lion dances, martial arts, calligraphy, family-friendly craft activities and more.

Festivities will take place February 16th, through March 4th.

PLEASE NOTE: The Year of the Dog Fair is located in the parking lot at NW 3rd Avenue and Flanders Street, one block north of the garden. The Year of The Dog Fair is free and open to the public, however entry to the garden requires membership or admissionDogs are not allowed inside Lan Su Chinese Garden. Only service animals are permitted. Onsite pet sitting, provided by LexiDog Boutique & Social Club, is available during the Year of the Dog Fair (February 17 & 24, 10 a.m. – 4 p.m.) only and is based upon availability. Learn more about Lan Su’s Year of the Dog Fair »

For the first time in Chinatown History, visitors can tour the private “Sacred Auditorium” and interiors of some of the most historic buildings of Chinese Tong and Chinese Association owned facilities in Old Town/Chinatown while also experiencing cultural activities, performances and a parade.  Learn more about this special opportunity to tour the interiors of historic buildings and community gathering spaces of Portland’s Chinatown »

Weekends during Chinese New Year feature:

Weekdays offer a sneak peek at Lan Su’s events and activities throughout the year, including Lan Su in BloomAsian Pacific American Heritage MonthFun & Games, and moreCheck the event calendar for a full schedule of events »

Please note: For the safety of visitors, volunteers, and staff, entry may be limited at peak times of visitation to meet fire code regulations. Expect lines at times on opening day and weekend days. Plan for the most auspicious visit by purchasing admission tickets ahead of time and arriving early for your favorite activities.

Here’s more information about the Chinese Zodiac – 2018 Year of the Dog

Occupying the 11th position in the Chinese Zodiac, the Dog symbolizes character traits such as loyalty, compatibility and kindness. Dogs frequently offer kind words and useful advice, always listening and lending a shoulder when necessary. Ensuring others are happy is more important to the Dog than wealth, money or success.

The Dog’s Strengths

Dogs are determined individuals; always wanting to master a new subject before moving on and always finishing what they start. Dogs value friendships; they’re loyal, honest, trustworthy and reliable and have strong morals and ethics.

A well-kept, organized home is very important. Keeping a clean home and helping at work stems from the Dog’s need to be active and involved. Dogs spend money wisely, passing on luxury goods in favor of practical items. Dogs also prefer saving money to cover future expenses.

Coworkers can always count on Dogs to help out, especially if it means the Dog will learn something new or alleviate the workload of others. Dogs are seen as valuable employees. Good career choices for Dogs include: police officer, scientist, counselor, interior designer, professor, politician, priest, nurse, clerk or judge.

Cooking and Nutrition Education Enhances Metropolitan Family Service Work

Cooking and Nutrition Education Enhances Metropolitan Family Service Work

Portland, OR. Last year, Metropolitan Family Service (MFS) served nearly 1 million pounds of food to over 20,000 people through its school-based food distributions, and over 400 students and adults were enrolled in its cooking and nutrition education classes. (Photo credit, Annie Dang)

MFS Hunger Relief programs held a Vietnamese cooking class at West Powellhurst earlier this month, led by MFS Hunger Relief AmeriCorps member Thu Le. 

Thu Le taught parents, students and volunteers how to make Vietnamese salad rolls and peanut sauce, sticky coconut rice, and a Vietnamese chicken and vegetable soup.

Each family took home a bag of healthy groceries and recipes.

The class was one of thirty healthy cooking workshops being held by the MFS Hunger Relief team at the nonprofit’s SUN Schools. For more information about MFS Hunger Relief Programs, visit https://www.metfamily.org/hungerrelief/

From the MFS Hunger Relief Program:

MFS Hunger Relief programs are becoming increasingly important as more families continue to turn to MFS for food support.

We strive to improve the health of the communities we serve through steady access to safe and nutritious food. We continue to form critical partnerships with other agencies and with community members to fight for food security and stability, and our staff and many volunteers work tirelessly to advocate for and lift up those experiencing hunger in our communities.

We currently operate Food Pantries and “Open Markets” (smaller, perishable food distributions) at 8 schools in East Multnomah County. We also run cooking and nutrition classes for youth and families at 6 of these school sites, run Summer Lunch programs at all of our SUN school sites, and have built and maintained multiple school gardens in partnership with the MFS AmeriCorps members.

Here’s a video about the food pantries:

Metropolitan Family Service partners with Oregon Food Bank to operate 5 school-based food pantry sites. We provide a 3-5 days’ supply of perishable and non-perishable pantry staples at these sites, including beans, rice, cereal, oatmeal, pasta and canned and frozen vegetables, milk, bread, eggs and meat.

Food Pantry Sites 

Locations and Times

Alder Elementary School Tuesdays 8:30am-10:00am
17200 SE Alder St., Portland

Cherry Park (NEW!)* Mondays, 9:30am-11:00am
1930 SE 104th Avenue, Portland
*Restricted for use to Cherry Park school family members

Glenfair Elementary School Tuesdays 3:00pm-4:30pm
15300 NE Glisan St, Portland

Earl Boyles Elementary School* Wednesdays 5:30pm-7:00pm
10822 SE Bush St, Portland

*Restricted for use to Earl Boyles and Ron Russel school family members

David Douglas High School Thursdays, 5:00pm-6:30pm
1500 SE 130th Avenue, Portland (South Building cafeteria)
This is a different address from the main campus.

Open Market Sites

MFS has 3 supplemental hunger relief sites that provide 1-2 days’ worth of fresh and perishable foods, including fruits and vegetables, milk, yogurt, bread, pre-made sandwiches and salads.

West Powelhurst Elementary School Tuesdays 1:00pm-2:00pm
2921 SE 116th Ave, Portland

Oliver Elementary School Thursdays 4:00pm-5:00pm
15840 SE Taylor St, Portland

Parklane Elementary School Thursdays 4:00pm-5:00pm
15811 SE Main St, Portland

Tuality Healthcare Foundation Raises $486,295 For State-of-the-Art Mammography Van

Tuality Healthcare Foundation Raises $486,295 For State-of-the-Art Mammography Van

Portland, OR. Over 240 guests, volunteers and community members helped raise $486,295 at the Tuality Healthcare Foundation’s Gatsby Gala. In celebration and recognition of Tuality Healthcare’s 100th anniversary, the OHSU Foundation helped secure a $100,000 match. Board Members Mike and Marilyn Egans, Paul Coussens and Amy Sherwood were pleased with the event. The funds will go toward the purchase of a new mobile mammography van with 3D imaging. Tuality Healthcare’s current van is at the end of its useful life and travels to limited areas only. It is the only mammography van in Oregon. (Photo credit, Andie Petkus)

Gary and Dixie Baker with Katie Eyre at NW Events & Environments

Tuality Helathcare Foundation Board President Marilynn Helzerman and Gwynne-Anne Pitts

Board Member Ralph Brown with wife Carol Bown

Jerralynn Ness and Leda Garside

Mammograms save lives because they detect cancer when it is small, increasing the chance of survival. Underserved women from here to the coast can face barriers to obtaining mammograms including geographic isolation and transportation. The new van will be able to travel to an expanded area including rural Oregon, and it’s a key component of the Foundation’s On the Road to Prevention Campaign. The campaign will also fund an outreach/patient navigator position for three years to help educate women about the importance and availability of mammograms and assist them during their journey of care. In addition, the campaign will create a cancer care fund for underserved women needing mammograms, as well as travel and accommodations assistance when receiving treatment at Tuality Healthcare.

Tuality Healthcare Foundation Director Marykay Morelli told guests at the gala January 27th gala, “You did life-saving work tonight. Your extraordinary generosity will help bring mammograms and cancer support to underserved women from Washington County to the coast.”

About Tuality Healthcare Foundation:

The Tuality Healthcare Foundation supports Tuality Healthcare by funding projects and programs that enrich the patient experience and wellness of our community. The Foundation envisions a region—from Washington County to the coast—where there is access to consistent, patient-focused, high-quality care.